by Writer's Digest | Feeds
How many times have you heard this around the workshop table: “Why don’t you consider a new point of view?” (Actually, the term used more often is “POV” because it sounds a lot cooler, I suspect.) Everyone then agrees that a new POV might help matters, including the... by Writer's Digest | Feeds
Your heart is slamming against your rib cage, your fingertips are moist and you turn another page. The antagonist is setting up a trap. You wish you could do something to prevent the protagonist from walking into it, but you can’t. You’re helpless, totally at the... by Writer's Digest | Feeds
If a poem is dynamic, its rhythm headlong, then the tiny turbines of this momentum are the verbs. Action verbs muscle up a sentence and help its propulsion. They may also create unexpected astonishment for the reader. When we believe a poem is finished, we should... by Writer's Digest | Feeds
If you dare to write about less-than-charming characters, you don’t need to redeem them with an ending in which they see the error of their ways, mend their faults, and allow their flinty hearts to be transformed into a choir loft of goodness. You see, Hollywood... by Writer's Digest | Feeds
Finding the right idea is the key to beginning your YA novel. So where, exactly, do ideas come from? How can you find ideas that teenagers will enjoy? The answer to this question is both simple and complex. Ideas for your teen novel can come from anywhere. That’s the... by Writer's Digest | Feeds
The most-asked question when someone describes a novel, movie or short story to a friend probably is, “How does it end?” Endings carry tremendous weight with readers; if they don’t like the ending, chances are they’ll say they didn’t like...
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